top of page
IMG-20240915-WA0009.jpg

Statement

Matter, form, symbol—the perception of the world.
Metaphor, accompanied by poetic representation, gives meaning to the work of an artist.
Today, as I reflect on my work, I believe there is a guiding thread that consistently shapes my actions:
Solitude as the framework for developing my thoughts on a cosmogonic conception that
remains unattainable; reading as a constant necessity, encounters with the “other”, which enriches my practice, and a deep connection with nature.
Through the expressive capacity of the image, which transcends matter, I seek to achieve the radiance of an interiority — the human being in communion with nature.
In the words of Boudelair:
“Discovering its principle of correspondences, embracing the immensity of the world and transforming it into an intensity of our innermost being.”

Work: The Silent Scream Video Installations

Text: Patricia O'Donnell - Psychiatrist, Psychoanalyst

2024

A nest of aluminum threads, unexpectedly found in an airplane factory, generates the illusion of discovery: the created-found object. Mother Nature allows for such an experience. Adriana Cervi has the gift of creatively discovering objects, thus establishing an aesthetic dialogue that culminates in a creation: a video. By appropriating that weaving, she gives it a particular twist: she transfers it to a film studio that, in turn, resembles a brick cave where the work is projected in the background. A refuge, a space that shelters both the idea and the video itself. A nest within another nest that harbors a thousand nests, imagined, thought, dreamed. Nest - Home - Body. The visual journey begins when the camera approaches the work until it reveals the meticulous weave of threads, and then moves away to place it within the environment conceived by the artist.
This back-and-forth, similar to the hypnotic movement of a pendulum that advances and recedes, directly dialogues with Leonora Carrington's phrase:"The task of the right eye is to peer into the telescope, while the left eye peers into the microscope."Micro and macrocosms: the detail seeks to unveil secrets, it illuminates the unconscious; distance opens depth, relocates the object onto another plane, and alludes to a broader horizon.
Yet the work remains enigmatic, as it inhabits a fictitious and desolate landscape. The tension that arises in this repetitive game of barely one minute provokes multiple re-thinkings: Time and Space. Feminine and Masculine. Immanence and Transcendence. The feminine: mother, earth, home, being.The masculine: dynamism, movement, the impulse to go further, to discover, to act.Private and Public.To the play of Light and shadows, sound is added. The wind, with its rough murmur, envelops the image and reinforces the atmosphere, establishing a dialogue between desolation and resistance, between technology and landscape.It is also a murmur of the future. Birds inspired the human desire to fly and the invention of airplanes. The past illuminates a possible future. Thus, the unseltling strangeness ignites in the face of the unknown and uncanny that a ball of wire may contain.An unusual object falls into the hands of an artist who explores, experiments, and investigates until giving shape to a splendid work whose title-an oxymoron-announces the poetic vision unfolded in its creation. The work moves the spirit and awakens an aesthetic pleasure that illuminates images and ideas capable of opening paths toward the enigmas of Life. The mystery of origins nests in The Silent Scream.

Work: Caminantes

Text: Patricia O'Donnell - Psychiatrist, Psychoanalyst

2024

Work: Seeking Sustenance
Text: Lic. María Carolina Baulo
2015

“SEEKING SUSTENANCE” – A work selected for the 2nd Latin American Autumn Salon, Marta Traba Gallery – Memorial of Latin America, São Paulo, Brazil, 2014 – summarizes in an installation the idea of a universe lacking foundation, support, of “finding one’s footing” that never arrives and impoverishes the spirit of humanity. A universe without certainties and with unreliable points of reference, with ephemeral and materialistic values that distance human beings from introspection and from the enjoyment of a life enriched by feelings rather than by objects that determine who we are.

The artist says: “I wish to create an environment where I can offer a personal experience through a participatory staging. Since in its creation, as many people took part as there are hands in the Work, attempting to rescue, within this plurality, the human being.
It is a contact with one’s own self as a transcendental experience, the existential meaning of the self within its surroundings. The ending remains open, leaving it to the viewer to give the Work a personal and reflective closure.”

“SEEKING SUSTENANCE” is a piece of conceptual art that seeks to provoke a reading that reveals the path the artist constructed and where she inscribed her message.
A meaning that slips between the pieces of wood that imprison and suffocate, between the rust that corrodes and slowly consumes everything, between the hands that search for a way out—hands with identity, hands that assert their presence as unique and unrepeatable beings amid the chaos of universal homogenization; hands that seek air, help, something to hold on to in order to move forward, where the presence of a heartbeat is evident in their pale pigmentation, keeping them alive, fighting against that sea of dense, solid materials that silence them and contain them in a confinement that does not allow escape.
Even so, they fight on, and life continues—just as the work of the artist continues, who also pursues that grounding which justifies her Work and “gives sustenance” to her own existence.

Yesterday, landscape and two-dimensional figuration may have been the expressive means chosen and needed. Today, she turns to the absolute contemporaneity of Installation in order to connect with the viewer, establishing a new code that involves, challenges, and engages them physically and emotionally with the Work— and with her.

bottom of page